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Kirsch Arts Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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Kirsch 2076-0752 MDPI AG http://dx.doi.org/10.3390/arts8040153 <jats:p>This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.</jats:p> Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? Arts |
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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
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gendering the japanese empire: ri kōran as ‘transnational’ star? |
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<jats:p>This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.</jats:p> |
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description | <jats:p>This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.</jats:p> |
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spelling | Kirsch 2076-0752 MDPI AG http://dx.doi.org/10.3390/arts8040153 <jats:p>This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.</jats:p> Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? Arts |
spellingShingle | Kirsch, Arts, Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
title | Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
title_full | Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
title_fullStr | Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
title_full_unstemmed | Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
title_short | Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
title_sort | gendering the japanese empire: ri kōran as ‘transnational’ star? |
title_unstemmed | Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star? |
url | http://dx.doi.org/10.3390/arts8040153 |