| Zusammenfassung: | <jats:p>This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.</jats:p> |
|---|---|
| Umfang: | 153 |
| ISSN: |
2076-0752
|
| DOI: | 10.3390/arts8040153 |