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C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press: Writing and Publishing Literary Criticism with O...
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| Zeitschriftentitel: | Articles |
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| Personen und Körperschaften: | , |
| In: | Articles, 10, 2019, 2 |
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| Sprache: | Unbestimmt |
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Consortium Erudit
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Rayner, Samantha Searle, Alison Rayner, Samantha Searle, Alison |
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Rayner, Samantha Searle, Alison |
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Rayner, Samantha Searle, Alison Articles C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press Ocean Engineering |
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Rayner, Samantha Searle, Alison 1920-602X Consortium Erudit Ocean Engineering http://dx.doi.org/10.7202/1060977ar <jats:p>This essay uses unpublished archival material to explore what this reveals about the commissioning, gestation, editing, and publishing of several key works of literary criticism by C. S. Lewis: <jats:italic>The Allegory of Love: A Study in Medieval Tradition </jats:italic>(1936), <jats:italic>The Oxford History of English Literature in the Sixteenth Century Excluding Drama </jats:italic>(1954), <jats:italic>Studies in Words </jats:italic>(1960), and <jats:italic>The Discarded Image </jats:italic>(1964). Our analysis looks at a range of connecting areas, including the complex labour structures and systems of patronage which operated during the period under consideration, as well as the peer review processes, assessments of potential reading markets, the practicalities of authorial revision and typesetting, and the intersections between pedagogical practice and publishing which all these demonstrate. The materials in the archives we drew upon to conduct this research were author marketing questionnaires; book cover designs; letters between Lewis, his press editors, bibliographers, and press reviewers; and cuttings from post-publication reviews. This case study makes an important contribution to our understanding of the role played by mid-twentieth century academic publishers to the production of knowledge in the English-speaking world.</jats:p> Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press Articles |
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Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
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C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
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C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
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c. s. lewis : writing and publishing literary criticism with oxford university press and cambridge university press |
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<jats:p>This essay uses unpublished archival material to explore what this reveals about the commissioning, gestation, editing, and publishing of several key works of literary criticism by C. S. Lewis: <jats:italic>The Allegory of Love: A Study in Medieval Tradition </jats:italic>(1936), <jats:italic>The Oxford History of English Literature in the Sixteenth Century Excluding Drama </jats:italic>(1954), <jats:italic>Studies in Words </jats:italic>(1960), and <jats:italic>The Discarded Image </jats:italic>(1964). Our analysis looks at a range of connecting areas, including the complex labour structures and systems of patronage which operated during the period under consideration, as well as the peer review processes, assessments of potential reading markets, the practicalities of authorial revision and typesetting, and the intersections between pedagogical practice and publishing which all these demonstrate. The materials in the archives we drew upon to conduct this research were author marketing questionnaires; book cover designs; letters between Lewis, his press editors, bibliographers, and press reviewers; and cuttings from post-publication reviews. This case study makes an important contribution to our understanding of the role played by mid-twentieth century academic publishers to the production of knowledge in the English-speaking world.</jats:p> |
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| description | <jats:p>This essay uses unpublished archival material to explore what this reveals about the commissioning, gestation, editing, and publishing of several key works of literary criticism by C. S. Lewis: <jats:italic>The Allegory of Love: A Study in Medieval Tradition </jats:italic>(1936), <jats:italic>The Oxford History of English Literature in the Sixteenth Century Excluding Drama </jats:italic>(1954), <jats:italic>Studies in Words </jats:italic>(1960), and <jats:italic>The Discarded Image </jats:italic>(1964). Our analysis looks at a range of connecting areas, including the complex labour structures and systems of patronage which operated during the period under consideration, as well as the peer review processes, assessments of potential reading markets, the practicalities of authorial revision and typesetting, and the intersections between pedagogical practice and publishing which all these demonstrate. The materials in the archives we drew upon to conduct this research were author marketing questionnaires; book cover designs; letters between Lewis, his press editors, bibliographers, and press reviewers; and cuttings from post-publication reviews. This case study makes an important contribution to our understanding of the role played by mid-twentieth century academic publishers to the production of knowledge in the English-speaking world.</jats:p> |
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| spelling | Rayner, Samantha Searle, Alison 1920-602X Consortium Erudit Ocean Engineering http://dx.doi.org/10.7202/1060977ar <jats:p>This essay uses unpublished archival material to explore what this reveals about the commissioning, gestation, editing, and publishing of several key works of literary criticism by C. S. Lewis: <jats:italic>The Allegory of Love: A Study in Medieval Tradition </jats:italic>(1936), <jats:italic>The Oxford History of English Literature in the Sixteenth Century Excluding Drama </jats:italic>(1954), <jats:italic>Studies in Words </jats:italic>(1960), and <jats:italic>The Discarded Image </jats:italic>(1964). Our analysis looks at a range of connecting areas, including the complex labour structures and systems of patronage which operated during the period under consideration, as well as the peer review processes, assessments of potential reading markets, the practicalities of authorial revision and typesetting, and the intersections between pedagogical practice and publishing which all these demonstrate. The materials in the archives we drew upon to conduct this research were author marketing questionnaires; book cover designs; letters between Lewis, his press editors, bibliographers, and press reviewers; and cuttings from post-publication reviews. This case study makes an important contribution to our understanding of the role played by mid-twentieth century academic publishers to the production of knowledge in the English-speaking world.</jats:p> Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press Articles |
| spellingShingle | Rayner, Samantha, Searle, Alison, Articles, C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press, Ocean Engineering |
| title | C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| title_full | C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| title_fullStr | C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| title_full_unstemmed | C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| title_short | C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| title_sort | c. s. lewis : writing and publishing literary criticism with oxford university press and cambridge university press |
| title_sub | Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| title_unstemmed | C. S. Lewis : Writing and Publishing Literary Criticism with Oxford University Press and Cambridge University Press |
| topic | Ocean Engineering |
| url | http://dx.doi.org/10.7202/1060977ar |