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Three Eras of Indonesian Arts Diplomacy
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Zeitschriftentitel: | Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia |
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Personen und Körperschaften: | |
In: | Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 175, 2019, 2-3, S. 253-283 |
Format: | E-Article |
Sprache: | Unbestimmt |
veröffentlicht: |
Brill
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Schlagwörter: |
author_facet |
Cohen, Matthew Isaac Cohen, Matthew Isaac |
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author |
Cohen, Matthew Isaac |
spellingShingle |
Cohen, Matthew Isaac Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia Three Eras of Indonesian Arts Diplomacy Linguistics and Language Social Sciences (miscellaneous) Anthropology Language and Linguistics Cultural Studies |
author_sort |
cohen, matthew isaac |
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Cohen, Matthew Isaac 0006-2294 2213-4379 Brill Linguistics and Language Social Sciences (miscellaneous) Anthropology Language and Linguistics Cultural Studies http://dx.doi.org/10.1163/22134379-17502022 <jats:title>Abstract</jats:title> <jats:p>Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments, to name but a few. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional, international producing bodies, galleries, and festivals. Cultural Houses are being built in key cities abroad, along with a nationwide platform for international festivals, Indonesiana. ‘Indonesianists’, including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.</jats:p> Three Eras of Indonesian Arts Diplomacy Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia |
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Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia |
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Three Eras of Indonesian Arts Diplomacy |
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Three Eras of Indonesian Arts Diplomacy |
title_full |
Three Eras of Indonesian Arts Diplomacy |
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Three Eras of Indonesian Arts Diplomacy |
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Three Eras of Indonesian Arts Diplomacy |
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Three Eras of Indonesian Arts Diplomacy |
title_sort |
three eras of indonesian arts diplomacy |
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Linguistics and Language Social Sciences (miscellaneous) Anthropology Language and Linguistics Cultural Studies |
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http://dx.doi.org/10.1163/22134379-17502022 |
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2019 |
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253-283 |
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<jats:title>Abstract</jats:title>
<jats:p>Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments, to name but a few. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional, international producing bodies, galleries, and festivals. Cultural Houses are being built in key cities abroad, along with a nationwide platform for international festivals, Indonesiana. ‘Indonesianists’, including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.</jats:p> |
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description | <jats:title>Abstract</jats:title> <jats:p>Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments, to name but a few. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional, international producing bodies, galleries, and festivals. Cultural Houses are being built in key cities abroad, along with a nationwide platform for international festivals, Indonesiana. ‘Indonesianists’, including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.</jats:p> |
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spelling | Cohen, Matthew Isaac 0006-2294 2213-4379 Brill Linguistics and Language Social Sciences (miscellaneous) Anthropology Language and Linguistics Cultural Studies http://dx.doi.org/10.1163/22134379-17502022 <jats:title>Abstract</jats:title> <jats:p>Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments, to name but a few. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional, international producing bodies, galleries, and festivals. Cultural Houses are being built in key cities abroad, along with a nationwide platform for international festivals, Indonesiana. ‘Indonesianists’, including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.</jats:p> Three Eras of Indonesian Arts Diplomacy Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia |
spellingShingle | Cohen, Matthew Isaac, Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, Three Eras of Indonesian Arts Diplomacy, Linguistics and Language, Social Sciences (miscellaneous), Anthropology, Language and Linguistics, Cultural Studies |
title | Three Eras of Indonesian Arts Diplomacy |
title_full | Three Eras of Indonesian Arts Diplomacy |
title_fullStr | Three Eras of Indonesian Arts Diplomacy |
title_full_unstemmed | Three Eras of Indonesian Arts Diplomacy |
title_short | Three Eras of Indonesian Arts Diplomacy |
title_sort | three eras of indonesian arts diplomacy |
title_unstemmed | Three Eras of Indonesian Arts Diplomacy |
topic | Linguistics and Language, Social Sciences (miscellaneous), Anthropology, Language and Linguistics, Cultural Studies |
url | http://dx.doi.org/10.1163/22134379-17502022 |